YO, where have you been?
I was TRAINING!
Been in the lab.
Sampling. Splicing. Building rhythm from noise.
Directing in the wild. Designing inside machines.
Editing in barns, in basements, in backseats.
Ford. Lincoln. Nordstrom. Nike. HBO. The f*ing F-150!
Motion. Sound. Story. Sculpture. Sonic branding. UX. Physical product.
Multi——hyphenate. Multi-sensory. Multi-platform.
This isn’t a portfolio.
It’s a pressure release.
READY to set it off.
🏃♂️ Little Daylight – “Overdose” Music Video
Director / Editor / Producer
Last thing I made before I left New York. The band found me, somehow…
Small budget, huge energy. Their only ask? Kids. Running. Freedom.
So I built a story - scouted locations from the country to Far Rockaway,
cast it with every kid I knew across five boroughs,
and closed it with the entire crew diving into the Atlantic.
Shot it with Jem’s Movi rig. Edited and colored it in my barn with my nephew.
No permits. No rules. Just movement and feeling.
✂️ Savvy Trends / Nordstrom
Director / Editor / Producer
Client dropped a folder of assets—no cohesion, no real brief.
Just: “We need in-store motion.
Can you make it feel like something?”
So I built a fast-cut, kinetic collage system—animated contact sheets, layered transitions, and rhythmic flow that turned the scraps into something branded and alive.
But I’ll shut up and let her say it:
“Brian’s a mad creative genius. We gave him a pile of mis-matched, ugly, inconsistent assets & asked him to turn them into video gold. And he did. Beautiful video gold.”
— Christina Libertini
🎣 Fish or Die
Editor / Story Recut
Fishing’s a sport, right? Especially when you’re in the Keys, on ‘shrooms, trying to jump a tarpon.
Jacob and the boys sent me raw footage.
No plan. No script. Just: "Can you cut something?"
They expected chill. I gave them punk rock chaos.
Fast edits, DIY energy, reel-to-real madness.
FISH!
🧘♀️ Movement Study
Editor / Motion Designer
Jess is one of the real ones. Ex-New Yorker, now Kelly Slater’s personal chef. Also happens to be a world-class yogi with insane body control.
When she shared this footage with me, I didn’t just want to cut it - I wanted to shape it into a slow-burn meditation on form, balance, and flow.
Minimal edit. Max presence.