AI FILMMAKING

This new body of work explores what happens when filmmaking meets AI generation.

Instead of directing a live action shoot, I write a brief and the corresponding prompts needed to generate the people, performances, and worlds, then take that raw material into post: editorial rhythm, sound design, grading, typography, and mix. The result sits between spec commercial and art film — polished, cinematic, and uncanny.

Each piece, a mirror a of place, tone, and character that unfolds entirely through AI direction, art direction, and dialogue.

These are experiments in authorship without a crew — an evolving practice in which creative intent, machine interpretation, and human curation blur into one continuous process.

A visual study in suspension — body, breath, and denim.

Generated entirely in Midjourney, composed, scored, and edited by me.

UNDERWATER reimagines Levi’s as something elemental — not worn, but inhabited.
Figures drift and twist beneath a single beam of light, dancing as if memory itself were trying to surface.
Their movements feel both human and spectral — a slow motion prayer between collapse and release.

The result sits somewhere between spec commercial and art film — a moody, modern elegy where fashion becomes metaphor, and AI becomes the lens of empathy.

A three-part spec campaign exploring identity, perception, and the stories we assume.

Each film was generated entirely in Sora 2 — character, dialogue, direction, performance — then finished through my post-production process: edit, grade, sound design, and title system.

The series pairs rugged archetypes with unexpected intellect:
men on a city bench debating charcuterie,
two porch-bound neighbors dissecting quantum computing,
a lone mechanic under a car reflecting on Jung’s anima.

It’s not parody — it’s empathy by inversion.
The work asks what happens when blue-collar exteriors hold philosophical interiors — when we stop judging by surface and start listening.

Each film ends with the same truth:
Don’t Judge.